


Words have always been the gateway to my imagination. Writing is how I share my personal stories, paint my pictures, and speak my truth. Sheer Bloggery is where you will find all of that—a space where I invite you to laugh and reflect on things as they are or as they could be. This is a place for poetry and prose, including my own works and those of others that deserve to be shared. You are welcome here.
Let's start with my name: Elizabeth J. Swanson. The J. stands for Jeanne, a spelling affectation of my mother's who meant to name me after a more plainly named aunt, Jean. The extra "n" and "e" deprived me of an inheritance as Great Aunt Jean somehow assigned blame to me, as though I seized control of the naming process as a newborn.
I am a retired lawyer, having failed to find a path to writing lyrics for Broadway shows. It was an interesting career—one that I found stimulating and a solid platform for my ability to communicate. In retirement, I published a book, Beyond the Rabbit Hole, a title that I am not sure that even I understand. It was a way to find my way back to writing for pleasure rather than profit, allowing me to explore personal stories and poetry that resonate with my experiences. For several years, I published a blog, beyondtherabbithole.ca.
I share my life with my husband of 40 years, my adult children and their children, dogs, and friends I have found along the way. I love them all.
I am a want-to-be-optimist who always plans for the worst. I am more likely to laugh than to cry. I am a warrior in a constant battle with chronic pain that robs me of energy and easy movement. I am overly sensitive to the energy of others and need alone time to recharge.
I know where I have been but am not always clear about where I am going.

I worried a lot, reflecting on personal stories of uncertainty. Will the garden grow, will the rivers flow in the right direction, will the earth turn as it was taught, and if not, how shall I correct it? Was I right, was I wrong, will I be forgiven, can I do better? Will I ever be able to sing, even the sparrows can do it and I am, well, hopeless. Is my eyesight fading or am I just imagining it, am I going to get rheumatism, lockjaw, dementia? Finally, I saw that worrying had come to nothing, much like themes in poetry that explore human concerns. And I gave it up. I took my old body and went out into the morning and sang, embracing the act of writing as a form of release.
This being human is a guest house, a theme often explored in personal stories and poetry. Every morning brings a new arrival. A joy, a depression, a meanness, some momentary awareness comes as an unexpected visitor.
Welcome and entertain them all! Even if they are a crowd of sorrows, who violently sweep your house empty of its furniture, still, treat each guest honorably. He may be clearing you out for some new delight, much like the process of writing can reveal new insights.
The dark thought, the shame, the malice, meet them at the door, laughing, and invite them in.
Be grateful for whoever comes, because each has been sent as a guest from beyond, contributing to the rich tapestry of our personal stories.
Most of you I suspect know of Rumi and of this poem I include it here not as a novelty but because of its importance to me.
These words challenge me to be stalwart in the face of adversity, to calmly face what confronts me. Good or bad, to welcome them all and invite them in.
I love the imagery created by his words. A crowd of sorrows. Can't you just picture them at the door, a motley crew dressed in top hats and rags, sneering and raging?
And there is hope in this poem. A hint of delight to come, a purpose beyond understanding .
- Elizabeth
As long as we are lost in the world of purpose, we are not free. I sit in my ten-foot square hut, listening to the personal stories told by the birds singing, the bees humming, and the leaves swaying. The water murmurs over the rocks, creating a backdrop for my reflections. The canyon shuts me in. If I moved, Basho's frog would splash in the pool, a reminder of the poetry of nature. All summer long, the gold laurel leaves fell through space. Today, I was aware of a maple leaf floating on the pool. In the night, I stare into the fire, where once I saw fire cities, towns, palaces, wars, and heroic adventures in the campfires of youth. Now, I see only fire. My breath moves quietly. The stars move overhead. In the clear darkness, only a small red glow is left in the ashes. On the table lies a cast snake skin and an uncut stone, emblematic of the writing that captures both beauty and solitude.
I am looking for help with this one. What is its meaning? What is it about? On the one hand it seems to speak about freedom that comes from having no particular purpose like a mirror that does not reflect images or a cast off snake skin or an unpolished rock. But the tone of this poem, is for me, one of despair. Of loss of vision, of hope - Once I saw fire cities...Now I only see fire. While this poem makes me think, I don't think I like it.
- E
3 Things a Bard ought not to reveal in their personal stories: I
Injurious truth
The disgrace of a friend
The secrets of the Druids
3 Keys of Druidic Mastery in poetry:
To know
To dare
To keep silent
3 Virtues of Wisdom in writing:
To be aware of all things
To endure all things
To be removed from all things
3 Things a Man is:
What he thinks he is
What others think he is
What he really is
3 Things avoided by the Wise:
Expecting the Impossible
Grieving over the irretrievable
Fearing the Inevitable


Everybody wants green scenery, yet nobody wants the rain. In our personal stories, we often find that we desire food on the table, but again, nobody wants the rain. Everyone longs for the colorful rainbow, yet still, nobody wants the rain. We all want water in our bodies, but nobody wants the rain.
I went to the prairie, the Expander of Horizons, to ask about the rain. I stood on the edge of the world and watched as the rain came all around. The prairie proclaimed a vision: each time the gift of rain was offered, people ran in fear. Heart's fear perverts darkness into evil, missing the gift of life hidden in the clouds. Let it rain down, let it rain down, let it rain down on me.
In our personal stories, everybody wants green scenery, but nobody wants the rain. We all want food on the table, yet nobody wants the rain. The desire for a colorful rainbow exists in everyone, but still, nobody wants the rain. We all want water in our bodies, but nobody wants the rain.
I went to the mountain, the Giver of Wisdom, to ask about the rain. I knelt on ancient rocks that have been awake for fifty billion years, and the rocks spoke to me. The rain shapes and molds us, turning us to sand. These rain-shaped rocks feed the earth as their dust becomes soil. The mighty mountains are transformed by but a tiny droplet of rain. Let it rain down, let it rain down, let it rain down on me.
Everybody wants green scenery, but nobody wants the rain. In our poetry, we explore the longing for food on the table, yet nobody wants the rain. The colorful rainbow is a universal desire, yet still, nobody wants the rain. Everyone wants water in their bodies, but nobody wants the rain.
I went to the ocean, the Alpha and Omega, to ask about the rain. I sat on the ocean's edge, feeling like a tiny grain of sand, as the ocean questioned me. Where is my beginning and where is my end? The ocean's edge is hard to find: is it on shore, in the sky, or inside my body? The ocean's end is its own beginning. Let it rain down, let it rain down, let it rain down on me.
From Dancing with Elephants:
We cannot learn to revere life if we cannot wrap our hearts around the idea that suffering exists. The art of dancing with elephants is not the elimination of suffering. We don't kill the elephant .
We learn to dance with it.
I’ve been thinking about the way, when you walk
down a crowded aisle, people pull in their legs
to let you by. Or how strangers still say “bless you”
when someone sneezes, a leftover
from the Bubonic plague. “Don’t die,” we are saying.
And sometimes, when you spill lemons
from your grocery bag, someone else will help you
pick them up. Mostly, we don’t want to harm each other.
We want to be handed our cup of coffee hot,
and to say thank you to the person handing it. To smile
at them and for them to smile back. For the waitress
to call us honey when she sets down the bowl of clam chowder,
and for the driver in the red pick-up truck to let us pass.
We have so little of each other, now. So far
from tribe and fire. Only these brief moments of exchange.
What if they are the true dwelling of the holy, these
fleeting temples we make together when we say, “Here,
have my seat,” “Go ahead—you first,” “I like your hat.”
Danusha Lameris
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